Tie Your Shoes To Your Knees And Pretend You're Small, Like Us

Catalogue number: RGR007
Released: January 2008

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Physical media:

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Title mm:ss Downloads
01 - Tie Your Shoes To Your Knees And Pretend You're Small, Like Us 00:51 Hi-Res MP3
02 - Let's all walk like Spiders 04:17 Hi-Res MP3
03 - Ciao, Poopy 01:31 Hi-Res MP3
04 - Countdown Timer to Centipede Release 02:06 Hi-Res MP3
05 - You're a Gas, Man 02:08 Hi-Res MP3
06 - Link Wray 00:34 Hi-Res MP3
07 - A Shiney Sea of Knives 05:20 Hi-Res MP3
08 - Whoosh, Good Egg! 01:23 Hi-Res MP3
09 - Dogs In Onyx 03:53 Hi-Res MP3
10 - Ghosts with Widely Spaced Teeth 03:09 Hi-Res MP3
11 - Kung Fu Annie 02:52 Hi-Res MP3

Hi-Res Artwork (1000x1000px):

Album cover

Reviews:

MusicInOxford.co.uk - "Oxford records of the year 2008" - Journo baiting cockabout results in unexpected collaged fascination.

MusicInOxford.co.uk full review - Tie Your Shoes… are an experimental band, and I’m using that term not in the normal, lazy reviewery way for things that sound a bit different, but in a proper John Cage’s mid-50s definition way. In other words, they seem to be focussing on the unforeseen elements of music making. I doubt they had a single clue what many of the sounds were going to be when they flipped them round, cut them up and showered them in delay and reverb, or that they knew what the ‘songs’ were going to be like before they assembled them... Perhaps they’ll find it very funny that I’ve taken it seriously, but in amongst all the things that seem designed to perplex, there is some thrilling and surprising music.

Nightshift Magazine, May 2008 (pdf) - And thus, with half the word count used up on the band name alone, we endeavour to unravel a genuine enigma of a demo. This here is yer proper journey into sound, from the opening babbling clamour of a repeatedly overlapped German accented voice chanting the band’s name over and over again, through eerie electronic atmospherics, an ad hoc mess of found sounds, disembodied voices, lutes, ukuleles (or possibly bouzoukis), typewriters, elastic bands and even the odd interjection of an acoustic guitar for some incongruous normality on the CD’s stand-out track, coming on like an out-take from the Wicker Man soundtrack.

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